Artists

Line Ajan

Line Ajan is a French-Syrian curator and translator, currently living in Marseille. Her curatorial research centers around subversive uses of moving image and language to enact dissident politics, focusing notably on feminist approaches, diasporic perspectives, and transnational histories. She has organized exhibitions and programs at the Julia Stoschek Foundation (Berlin, Düsseldorf), MCA Chicago, Mudam Luxembourg, ArteEast in New York, and La Friche la Belle de Mai (Marseille) among others. Her affinity with translation, intersectional feminism and decolonial thinking led her to join the collective Qalqalah in 2019. She regularly translates texts for the French version of The Funambulist. Her writing has appeared in various magazines and catalogues. Her writing has appeared in Mousse Magazine, Metropolism M, Art Asia Pacific, and Texte Zur Kunst, as well as collective publications such as Lynn Hershman Leeson. A History of Her Own (2026), Basma al-Sharif (2025), Ce que la Palestine apporte au monde (2023) and A World History of Women Photographers (2022).